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Class 12
English Elective: Kaleidoscope
96 lessons in 21 chapters, explained in plain words.
I Sell My Dreams
What a short story is
Frau Frieda, the woman who sold dreams
Neruda, the dream and the ending
Language: emphasis and syllables
Eveline
Eveline at the window
Frank, the organ and the promise
At the North Wall
Language: parallelism and word stress
A Wedding in Brownsville
Dr Margolin before the wedding
The journey and the wedding hall
Raizel and the twilight world
Language: sentence variety and stress
Tomorrow
Captain Hagberd and Colebrook
Bessie at the fence
Bessie's life with her father
The stranger at the gate
Harry the wanderer
The ending
Language: allusion and stress shift
One Centimetre
Tao Ying and the bus ticket
A mother as an example
At the temple gate
Measuring, mistrust and the letter
Vindication
Language: simile, metaphor and noun-verb stress
A Lecture Upon the Shadow
Poetry and the metaphysical poets
Shadows of love
Donne's English
Poems by Milton
Milton's 'On Time'
Milton's 'On Shakespear'
Etymology: where words come from
Poems by Blake
Blake and 'The Divine Image'
'The Human Abstract'
Blake's craft
Kubla Khan
Coleridge and the dream
Xanadu and the chasm
The damsel and the poet
Music and facts behind the poem
Trees
Emily Dickinson and the summer sky
Creatures and flowers
Words and instruments
The Wild Swans at Coole
Yeats at Coole
The unchanging swans
Rhyme scheme
Time and Time Again
Ramanujan and the city's clocks
The silent clock
Blood
Kamala Das and the dying house
The oldest blood
Death of the matriarch, death of the house
Conscience and change
Freedom
Non-fiction, and Shaw on natural slavery
Governments, votes and propaganda
The deluded masters
Distribution, laws and employers
Leisure
Krishnamurti: freedom and discipline
Language: clauses, rhetorical questions and sound sequences
The Mark on the Wall
Woolf and the mark
Losses, speed and what comes after
Self-image and phantoms
Barrows, antiquaries and knowledge
Nature's game, the tree and the snail
Language: content and function words; strong and weak forms
Film-making
Cranes, Venice and a magic lantern
The film-maker as conjurer
From impression to rhythm
Books, audiences and teachers
The tightrope and the cathedral
Umberto Eco on books and films
Language: film terms, sentence parts and elision
Why the Novel Matters
The living hand
Man alive versus the specialists
The one bright book of life
No absolutes: change, integrity and living
Language: borrowed words, roots, verbs and spellings
The Argumentative Indian
A talkative tradition
Krishna and Arjuna: duty and consequences
Women in the argumentative tradition
Caste, class and dissent
Democracy as public reasoning
Language: words of speech, qualification and noun phrases
On Science Fiction
The prescientific universe
Gods, magic and wonder
Myths and science fiction: the same need
Science fiction: defined by background
Can a science fiction mystery be fair?
Language: allusions, tone groups and transitive verbs
Chandalika
Drama and the story of Chandalika
'Give me water': a new birth
The demand and the spell
The mirror and the agony
Remorse and release
Broken Images
The celebrity's speech
The image speaks
Malini, Pramod and the unasked questions
Monologue, image and the language debate